Why there’s more to vetting investors than Net Worth
If you want to find and close investors for your independent film project, there’s a lot more to it than simply googling a person’s net worth. Here’s an explanation.
3 Things Every New Film Investor NEEDS to know
It’s not just filmmakers who need to understand the business. Investors do too. Here are a few words of advice on the film industry for new investors from an executive producer.
Filmmakers Glossary of Film Investment Terminology
It’s hard to raise funding for a film, and the contracts get confusing quickly. Here’s a glossary to help you understand the mountain of paperwork you’ll need to sign to get your film financed. This blog doesn’t mean you don’t still need a lawyer (I’m not one, and this isn’t legal advice), but it will help you understand the paperwork you’re sent.
Filmmakers Glossary of Film Business Terminology.
I’m not a lawyer, but I know contracts can be dense, confusing, and full of highly specific terms of art. With that in mind, here’s a glossary of Art. Here’s a glossary to help you out.
What Every Investor Needs to Know about Your Independent Film
If you want to raise money for your independent Film, Here are a few things your investor will need to know.
The Problem with the IndieFilm Distribution Payment System
If you’ve got an issue with your sales agent or distributor paying you, it’s not neccessarily on them. (although it might well be.) either way, Its important to understand how money flows in this industry before you go at them.
When and Where to use Each Indiefilm Investment Document
Most Sales agents don’t want your business plan, and a bank doesn’t want your lookbook. Here’s what stakeholders do want, and when.
How to Make LookBook for an Independent Film
Decks and lookbooks are not the same. Here’s how you make the latter.
How do we Get More Investors into Independent Film?
How do we get more investors in the film industry? We improve the viability of film as an asset class. Here’s how.
6 Things stopping a sustainable investor class in film.
If you’ve ever raised money to make a film, you know it’s hard. It’s not because individual films can’t be good investments, it’s that the problems with the industry are systemic. Here’s a look at why.
What’s the Difference between a Sales Agent and Distributor?
Too few filmmakers understand distribution. Even something as basic as the disfference between each industry stakeholder is often lost in translation. This blog is a great place to start
One Simple Tool to Reopen Talks with Investors
Closing an investment is not the same thing as finding an investor. Here’s a very valuable tool for closing an investor you thought was lost.
Why Film Needs Venture Capital
Part of creating a sustainable revolution in the film industry is creating a new system of finance. For that, we should look to other industries starting with Private Equity and Venture Capital. Here’s how we do that.
Black Box - a Call for Transparency in Film
The concept that Film Distributors aren’t telling you the whole truth isn’t unknown. However, the problem is deeper than you may realize. Here’s why.