There are many issues independent filmmakers complain about when it comes to the indie film business, many all stem from the film industry coping with he same problem, Uncertainty. This article expands on that to help creatives better adapt to it.

In the film industry, we’re all ont he cutting edge of culture. Unfortunately, the contrarian tendencies of our artistic sides sometimes causes us to assume if it’s popular, it’s bad. That’s an oversimplification. Here’s why.

COVID-19 affected the entire world. To some degree, it still affects us all. Here’s 2023 update to some estimations I made in 2020 as to the effects of the pandemic on the industry.

If you’re a screenwriter, you’ve probably toyed with the idea of selling your script. Here’s some advice from a script doctor and a rebuttal from an executive producer.

If you want to make a living in film, it’s not enough to be creative. You also need to have a strong business sense. Here’s why that’s the case, and a guide to getting started.

If you want a career in independent film, you’re going to need to have some entrepreneurial skills. Here’s an outline for what that could look like.

In this older blog, I predict where the industry was headed in 2019, some hits, some misses.

If you want a sales agent to sell your movie, they’ll need some things to do it properly. Here’s a guide as to what those things are.

If you want to get your film out there, you’ll need to give your distributor, aggregator, sales agent, or or post house certain things. Here’s an outline of those deliverables.

We producer’s reps are generally known to be slimy used car salespeople. It’s not always the case, but there’s a reason the stereotype exists. Heres’ how to vet your rep, (include me on these too)

If you want to make a film, you should really start a company (entity) to do it through. Here’s one Executive Producer’s take on how structuring them.