The Guerrilla Rep
The Guerrilla Rep
  • Home
    • About
    • In the Press
  • Blog
  • YouTube
  • Projects
    • Cicada Moon
    • Film Insight
    • Events >
      • Producer Foundry >
        • Producer Foundry Pitch Workshop
      • Archieve
  • Resources
  • Contact
  • Submit
    • Early Stage
    • Completed
  • COVID-19
    • COVID-19 News/Affects
    • COVID-19 Resources
  • Home
    • About
    • In the Press
  • Blog
  • YouTube
  • Projects
    • Cicada Moon
    • Film Insight
    • Events >
      • Producer Foundry >
        • Producer Foundry Pitch Workshop
      • Archieve
  • Resources
  • Contact
  • Submit
    • Early Stage
    • Completed
  • COVID-19
    • COVID-19 News/Affects
    • COVID-19 Resources

Can You Get Your Movie on Netflix or Disney+ By Yourself?

1/8/2020

1 Comment

 
Picture
At least until recently, a lot of filmmakers assumed that they could get on any platform they needed to be on just by calling up Distribber or another aggregator like Quiver.  With the fallout of the fall of Distribber, many filmmakers are wondering what they can do for distribution.  So, I thought I’d share some knowledge as to what platforms a filmmaker can still get on themselves using aggregators like Quiver, and what platforms you’ll need an accomplished sales distributor, or producer’s rep to get on.

I’m going to break this into general media right types.  If you’re not sure what that means, learn more by clicking through to the related blog below. 
​

Related: Independent Film Media Right types.

Also, this analysis is based not he US Market
​

Theatrical

Most distributors just won’t do this for most films, however the ones that can do it tend to either rent the theaters outright, or be extremely skilled sales people with deep connections to the booking agents for theaters who will book the films on a revenue share basis.  It's just too much work for buyers to work directly with Filmmakers in this fashion.
Picture
Donald Evans
​​Clever Username
Ashley P.
​
Judah J.
Picture
For filmmakers, the most economical solutions tend to be either paying to rent a theater for a few screenings, or using a service like Tugg, to have a screening demanded if the film has enough of a following to make it work.  I have my issues with their model, but that’s a topic for a future blog/video. 
​

Physical Media:

Distributors have a lot more options for physical media than filmmakers tend to.  Some distributors still replicate DVDs on a massive scale, which gives them the ability to get higher quality disks and get them into brick and mortar stores like WalMart,Target, Family Video, or kiosks like Redbox.  Many distribution companies also have access to libraries.  Also, Blu-Ray in general is only really available on a wide scale through a distributor.

Even if they use a Manufacture on Demand (MOD) service, they tend to have access to companies who will put them out on the online storefronts of pretty much anywhere that sells DVDs and Blu-Rays.  This is largely due to the fact that those companies tend to only publish catalogs. 

If you’re a filmmaker, you’ll generally be limited to either buying a few thousand DVDs with no guaranteed warehouse solution or distribution network, or you’ll be limited to using something similar to Createspace to put them up on Amazon. While this tends to have the highest margins, it doesn’t tend to move a lot of product, and the quality of the product is generally pretty low. 
​

Broadcast, PayTV, and Ancillary (Generally Airline)

To get on any network or paytv channel, you’ll need the help of a distribution company.  Same for airlines.  These entire right types are not generally available to you as a filmmaker. 
​

Video On Demand (VOD)

For ease, I’m going to break this into a few categories that are generally accepted within the industry.  Those categories are Transactional VOD (TVOD) Subscription VOD (SVOD) and (AVOD)
​

Transactional Video On Demand (TVOD)

In General, TVOD is pretty accessible to filmmakers on their own.  Filmmakers can pay an aggregator to get you on most platforms for a fee. These platforms include iTunes, Google Play/YouTube, Fandango Now, and many others.  Also, Filmmakers have been able to put their own work up on Amazon Instant video largely for free until recently, although it seems those winds may be changing.  Either way, filmmakers can use Vimeo OTT or Vimeo On Demand to sell the film directly through their website.

There are, however, more than a Few TVOD platforms that only a distributor can access.  These include a subset of TVOD called Electronic Sell Through VOD (ESTVOD) that’s primarily used for paid on demand offerings of cable and satellite providers, as well as the occasional hotel chain.  The hotel chain VOD offerings have greatly declined in recent years as free WiFi has become commonplace.  Additionally, there’s a service that enables your content to be rented through library systems that’s only accessible to distributors with decently sized catalogs. 
​

Subscription Video on Demand (SVOD)

In order to get on any platform like Netflix, Hulu, Disney+, HBO NOW, HBO MAX, or any other major streaming platform, you need the help of a distributor.  Distribber SAID they could pitch you, but that turned out to not be as true as you might hope, and their pitch fee was the size of most commissions a sales agent would take.  Also, their success rate was abysmal for someone charging up front.  This was primarily due to them pitching dozens of films a month, and as such them not getting much attention.

If you want to utilize your SVOD rights as a filmmaker, you pretty much have three options.  Put it on Amazon Prime, (at least for now.) You can start your own subscription service using Vimeo OTT, or try to sell it to people who started their own subscription services that you’ve found.  I doubt those last people will have much money though. 
​

Advertising Supported Video On Demand (AVOD)

Finally, we come to Advertising Supported Video on Demand, or AVOD.  This is an exciting space that’s only recently emerged.  The two biggest players that do it profitably are TubiTV and PlutoTV.  Both of which only deal with filmmakers and sales agents with large catalogs of high quality, distributable films.  This means they generally only deal with distributors or sales agents.

If you’re a filmmaker, you can put your movie on YouTube in the normal way for AVOD dollars, but it’s generally inadvisable for feature film content.  It’s good for vlogs about film distribution though..,

Thanks so much for reading! 
​

Like it? Share It!

Content isn’t my primary business, the reason I know this stuff is I work in the filed.  If you’d like to work with me, submit your project idea via the link below.  Distribution and brokerage tasks are on commission, earlier stage projects involve some reasonable fees.  Also, If you like content like this, you should join my mailing list.  It will get you lots of great blog digests of content just like this, as well as notices of major releases from Guerrilla Rep Media.
Picture
Picture
Picture

Right below Our Sponsors
​(who you should visit, if they're relevant.)

1 Comment
Joseph Cantrell link
10/6/2022 12:09:34 pm

Mention catch why each. Always newspaper event charge.

Reply



Leave a Reply.

    Author

    My name is Ben, I'm an Entrepreneur, Producer's Rep, and Author.  I'm the founder of Guerrilla Rep Media, Co-Founder/CMO of ProductionNext, and founder of Producer Foundry.  Together, the organizations seek to help make filmmaking a more economically sustainable endeavor.  I am dysic, I have capitalization issues, and the blogs are often unedited. opinions all my own.

    View my profile on LinkedIn

    Join my Mailing List for FREE Resources!

    I'm happy to offer a FREE Resource Package to anyone who joins my mailing list.  You'll also recieve monthly digests of my articles and other valuable resources.
    Sign Up!

    My Books

    Picture
    Find it at
    Your Local Library
    Books Inc
    Barnes and Nobles
    ​Amazon

    Audiobook Free through Audible.com

    Picture

    Available exclusively through Amazon.com​

    Archives

    May 2020
    April 2020
    March 2020
    February 2020
    January 2020
    October 2019
    September 2019
    August 2019
    July 2019
    June 2019
    May 2019
    April 2019
    March 2019
    February 2019
    January 2019
    December 2018
    November 2018
    October 2018
    September 2018
    August 2018
    July 2018
    June 2018
    May 2018
    April 2018
    March 2018
    February 2018
    January 2018
    July 2017
    June 2017
    May 2017
    April 2017
    March 2017
    February 2017
    October 2016
    September 2016
    July 2016
    June 2016
    April 2016
    February 2015
    August 2014

    Categories

    All
    Affiliates
    AFM
    Aggregation
    Angel Investing
    Angel Investment
    Audience Engagement
    AVOD
    Branding
    Business Plan
    Business Planning
    Career Growth
    Community
    Contracts
    Crowdfunding
    Data
    Deck
    Distribution
    Distribution Agreements
    Distribution Deliverables
    Distributors
    DVD
    Email Marketing
    Entertainment
    Entrepreneurialism
    Executive Summary
    Film Budgeting
    Film Distribution
    Film Festivals
    Film Finance
    Film Financing
    Film Industry
    Film Investment
    Filmmaking
    Film Marketing
    Film Markets
    Film Money
    Financing
    First Feature
    Genre
    Grants
    Grantwriting
    Hustle
    Indiefilm
    International
    International Sales
    Look Book
    Markeing
    Marketing
    Marketing Materials
    Packaging
    Packaging Documents
    Physical Media
    PR
    Press
    Producer's Rep
    Publicity
    Sales Agency
    Sales Agents
    Screenplay
    Script
    Self Distribution
    Short Films
    Social Media
    Staged Financing
    Studio
    SVOD
    Tax Incentives
    Technology
    Terminology
    Transparency
    Venture Capital
    Waterfalls

    RSS Feed

Home

About

Services

Menu

Contact

Copyright © 2019 Guerrilla Rep Media.  All rights reserved